Uncanny X-men #2 – Review

2 Mar

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Uncanny X-men #2

Brian Michael Bendis & Chris Bachalo

Published by Marvel Comics

The sister book to one of my favorite Big 2 on-goings, (All New X-men) offered up its second helping this week in the pages of Uncanny X-men #2 by Brian Michael Bendis and Chris Bachalo. As of now, I am having a hard time falling in love.

Brian Michael Bendis, master that he is, constructs a lovely, intimate narrative involving the lingering tensions between Scott Summers and Emma Frost. The pair shares a history that would make most Lifetime movies green with envy, and that is apparent in the way they interact here.

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Emma is not only struggling with the ramifications of a life-altering split with Scott, but also facing the terrifying prospect of living without her mutant abilities. Bendis does an incredible job portraying the storm of emotions raging inside of her. Facing the age-old dilemma, best defined by The Clash, “should I stay or should I go?” Emma makes the decision to stay.  She decides to serve as a mentor to the world’s newest mutants, whom she, Scott, Magneto, and Magik have been collecting. As the group attempts to explain the mutant way of life to their new recruits, they encounter trepidation from the initiates. Eva, one of the newest mutants, is concerned for the safety of her family. In a display of compassion, Cyclops and his team transport back to her home in Australia. They are unaware that a double agent, Magneto, has called in back up.

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So with such a solid storyline, why am I still hesitant to give away my heart? The answer is simple: I cannot embrace the art. Not only does the style of the art seem incongruent to the tone of the book, I question some of the choices made by the artist in a general sense. For instance, I cannot understand why in some when a full figure is shown the proportions of the characters seem altered, while in three-quarter view they retain standard dimensions. I am also leery of the cut and paste style used in some of the ensemble frames. The work looks like a collage of paper dolls pasted on a photo of the sky, because they have a white outline and none of the figures interact. This also makes the figures appear very static. Some pages have large white borders while the panels on the page seem squished. Scott Summers here looks younger (and a whole lot more like John Karsinski) than his younger counterpart featured in All New X-men.

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As you read this be aware that these critiques involve stylistic choices. Bachalo does not do anything wrong, these decisions just does not appeal to my tastes. The art is not bad, and I suppose that for readers who enjoy an Asian-inspired art style, it will seem particularly successful. Two pages in particular did impress me, the full page of Emma Frost in profile and Bachalo’s rendering of the Xavier School.

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Another frustrating feature of the book are the layouts. Bendis apparently favors confusing panel distribution in his scripts; I have encountered these snares in his other work. However, if you persevere and find the flow of the panels, you will be rewarded with a great story.

So there you have it, Bendis tells a great story; and I personally can’t get into the slightly manga-inspired art style. The world will eventually recover from the shock I am sure.

Follow me on twitter @comicsonice

This review was originally published on bagandbored.net, go check out the site!

2 Responses to “Uncanny X-men #2 – Review”

  1. Vitaeleous March 6, 2013 at 2:04 pm #

    Keep in mind that Bendis likely has little to no input on the panel layout in this comic. Marvel’s creators tend to operate on an “open script” practice (as opposed to DC’s “closed script” practices) where the narrative is loosely outlined and then handed to the artist, who is given full control over the graphic narrative form. After the panels are laid out and illustrated the book goes back to the writer who fills in the dialogue for each panel. So if the page layout and art is your hang-up, Bachalo is probably the one to blame. Most of what I’ve read by Bendis (Ultimate Spider-Man, Guardians of the Galaxy) has been well laid-out, but again, illustrator’s prerogative.

    • Sam LeBas March 8, 2013 at 9:51 pm #

      From Bendis official website:

      My style is referred to in “The Biz” as full script, which means there’s a panel-by-panel description of the storytelling with dialogue attached. It’s very similar to a movie screenplay, with each word of scene description is picked for maximum impact. I’m brief, but I am to the point.

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